Displaying Gongshi in a Group – Essay by Hu Zhaokang

Hu ZhaokangIt is a time honored practice to display rocks in outdoor gardens or indoors on pedestals for appreciation. The great calligrapher and painter Mi Fu loved rocks to distraction. Bowing to them nearly everywhere he encountered them, he became known as ‘Mi the Eccentric’. The famous poet Su Shi had a passion for rocks as well and composed many beautiful verses about them:

“I returned, carrying this rock with me,

So the Eastern Sea was cradled in my sleeves.”

“The clouds and smoke beyond three mountain peaks

Could all be viewed in a fistful of Ningxian rock.”

These examples attest to the long history of rock appreciation.

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How to Judge a Rock – Shou Zhou Lou Tou (SZLT)

Shou Zhou Lou Tou (SZLT)
The great Song literati Mi Fu formed an appreciation of rocks based on his own aesthetics as well as what he knew of past collections. The four categories he considered essential to the appreciation of rocks were shou, zhou, lou, and tou. These four criteria are still used by connoisseurs today, especially for Taihu rocks.

Shou means thin and with respect to rocks, it means an elegant, slender shape, ‘vertically oriented, erect and alone’. (see Figure 1)

Zhou means wrinkles and refers to rich surface textures and furrows created from delicate intaglio lines and relief ridges that show rhythms and changes in shape. Thus a small rock can embody the topographic features of hills and mountains. (see Figure 2) In Hangzhou, the rock known as ‘Wrinkling Cloud Peak’ combines both shou and zhou. (see Figure B)

Lou means channels and other types of indentations that lend an exquisite beauty to rocks. These channels are linked to one another as if a path were unfolding itself through the rock. (see Figure 3)

Tou means holes and openness. Air and moonlight can pass through such openings. (see Figure 4) In Shanghai, the rock known as ‘Exquisite Jade’ combines both lou and tou. (see Figure A)


Figure A – ‘Equisite Jade’          Figure B – ‘Wrinkling Cloud Peak’


Figure 1 Figure 2 Figure 3 Figure 4

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How to Judge a Rock – Shape, Material, Color, Spirit

Shape, Material, Color, Spirit

Although Mi Fu’s four categories are well-suited for describing Taihu Rocks, they are not comprehensive enough, and with the appearance of newer gongshi types, modern connoisseurs generally apply another set of criteria for judging rocks. These four are shape (xing), material (zhi), color (se), and spirit (shen).

Shape (xing)

The first consideration for a rock is that it should be naturally shaped. Display rocks can then be divided into two groups: abstract and representational. The former gives more room for the imagination and are admired by many people. But rock lovers also appreciate representational rocks which can be subdivided into those representing landscape and those representing particular objects. Landscape representational rocks resemble hills, scenes after snow, cliffs and peaks. They can be further subdivided into those representing near or far distant scenes. The latter should exhibit proportion between height and width to give a proper framework for the vista represented. Rocks resembling particular objects, such as human figures and animals may either bear such likeness in shape or spirit. The merit of the latter is that they both resemble and yet do not resemble a given object.

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Suzhou and Gongshi – from A Bryce Marden Retrospective

In 1995 Marden traveled to Japan, China, and Hong Kong. He was moved by the asceticism, refined geometries, and meticulously framed vistas of the Japanese rock gardens, and in Kyoto he must have thought of his father, builder of dry stone walls, when he saw the dry cascade in the Saiho-ji (Kokedera) paradise garden. But it was only when he got to China and the rock gardens at Suzhou that he fully grasped the spiritual resonance and compositional authority of this ancient art form. Marden said he “got it,” all at once, when Suzhou’s famous “Cloud-Capped Peak” came into view; it was instantly clear to him how a rock could be the subject of veneration.

In China, rocks may be venerated in nature (whether as mountains or as isolated boulders), in gardens (where they are carefully sited in composed landscapes, often having been transported at great expense and effort from remote locations), or on tabletops and in the display cases of connoisseurs. The latter objects, known as gongshi in China, are often called “scholar’s rocks” in the West, but the term “spirit rock” comes closer to the Asian sensibility regarding these preternatural works of art. (The term gongshi comes from the characters for “respect” and “stone.”) Marden bought his first spirit rock in 1995 and now has a number of fine examples, which he keeps in view in his studios.

The above except is from the book: Plane Image – A Brice Marden Retrospective

Plane Image - A Brice Marden RetrospectivePlane Image - A Brice Marden Retrospective

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Scholar’s Desk – by Sister Wendy

As early as the 12th century, the Chinese characterized the furnishings of a home as “elegant,” in the sense not only for beauty but also of convenience and comfort. This was a moral issue, because elegance created an ambiance responsive to the qi — the life force or spirit that flows through everything. Thus on the scholar’s deck, he set a spirit rock. He would have searched for this in the lakes where they were especially to be found, seeking out a rock that encapsulated the landscape. Large rocks were placed outside the window in an inner court, but this one sat close to him. The rock had experience of the earth, and brought it into the study. It is particularly inspirational, because it has holes through which air and light can stream, bringing the qi of the earth to the spirit of the scholar.

The above except is from the book Sister Wendy’s American Collection

Sister Wendy\'s American Collection Sister Wendy\'s American Collection

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Lingbi Stone

Scholar's Rock - Lingbi StonePlace of origin:
Lingbi County, Anhui Province

Mineral composition:
Calcite and other limestones

Ranked first among the four types of famous Chinese Scholars Rocks. These are found in Lingbi county of Anhui Province, China. They are fine-grained, delicately textured limestone and lie deep in the red mud of the Qingshi mountains. Naturally shaped, they need no cutting or carving. Depleted after generations of mining, high quality Lingbi are now quite rare. They are hard and an ordinary knife cannot cut them. Their mineral composition is such that they produce a metallic, resonant sound when tapped. Hence they are also called ‘resonant rocks’ (bayinshi). They were sometimes used for making chimes and are thus also known as ‘chime rocks’. Lingbi rocks are beautiful and clear-cut, with a frame of soft lines. Combining masculine beauty with antique simplicity, they have been admired by connoisseurs for centuries. In the Northern Song dynasty, Emperor Huizong wrote this inscription on one Lingbi in his collection: “The mountain is high while the moon looks small the water ebbs and the rock juts forth.”

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